PATHÊT: RUANG BUNYI DALAM KARAWITAN GAYA YOGYAKARTA
ABSTRACT: This research aims
to answer a question of why two Javanese gamelan pieces (gending) of differ-
ent pathêt (modes) cannot be performed consecutively without grambyangan lead.
The data of this research were obtained from in-depth interview and observation
of karawitan (gamelan performanc- es), focusing on karawitan training process,
wayang performances, and karawitan performances for pleasure or uyon-uyon.
Using phenomenology method, it can be concluded that pathêt is a space of
sound. Two gamelan pieces having different modes are similar to two gamelan
pieces in different spaces. There is a link between spaces that can be opened
by the sound of gender or grambyangan. As a space, karawitan has three spaces
of sound, i.e. space of pathêt nem, space of pathêt sanga, and space of pathêt
manyura.
Penulis: Hanggar Budi Prasetya
Kode Jurnal: jpantropologidd120046
