KESER BOJONG: IDEALISASI PENCITRAAN JAIPONGAN KARYA GUGUM GUMBIRA
ABSTRACT: Gugum Gumbira’s
Jaipongan as a dance genre has been more than ten repertoires, among oth- ers,
are: Keser Bojong, Rendeng Bojong, Toka-Toka, Iring-Iring Daun Puring, Setra
Sari, Senggot, Sonteng, Ringkang Gumiwang, Pencug Bojong, Rawayan, Kawung
Anten, etc. However, among those works, Gugum Gumbira states his Keser Bojong’s
dance repertoire as having the most ideal image. The question is, what aspects
build that ideal image? Clearly, this is related to various value dimensions
attributed to that dance repertoire. To discuss this issue, the writers use
Richard E. Palmer’s Hermeneutics as interpretation system to reveal the
“hidden” meaning beyond the texts (1969: 16-31). The scope of discussion covers
dimension of concept and dance construction as well as other artistic devices.
Penulis: Edi Mulyadi, Lalan
Ramlan
Kode Jurnal: jpantropologidd120044
