ORALITY AS THE REPRESENTATION OF MADNESS IN THE POEM HOWL BY ALLEN GINSBERG

ABSTRACT: This paper examines the characteristics of orality as the representation of madness in the poem Howl by Allen Ginsberg. Orality and madness are two major aspects of Beat literary tradition. The characteristics of orally based thought and expressions as proposed by Ong are found in the poem and  have  significance  to  the  theme  of  madness  in  the  poem.  Madness  is  manifested  not  only  in content, but also in the form of poetic structure of the poem.  It  was  found  that  textual  orality  in  Howl  serves  to  represent  the  effect  of  mind  and  body alteration  caused  by  drug-induced  madness  on  the  perception  of  reality.  Drug-induced  madness both accelerates and decelerates the speaker’s perception in the poem, which is shown in the speech pattern  of  the  narrative. All  the  perceptions  captured  by  the  mind  and  all  the  sensations  felt  by the senses take place almost  simultaneously  and are  verbally manifested  as  they are into  written language. This results in incoherent and ungrammatical sentences creating chaos, a form of language madness.
Keywords: Allen Ginsberg, Beat Generation, drugs, Howl, madness, orality
Author: Randy Ridwansyah
Journal Code: jpantropologigg130016

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